Aunt Louise had told Grace of Mrs. Beabots’s former life in Paris, where she had “done something” at Chanel, though no one in town was certain what, since Mrs. Beabots was as tight-lipped, as Louise put it, as the seal on a coffin. Grace had gotten to know Mrs. Beabots during her visits to Indian Lake in high school. Grace had taken an instant liking to the older woman and they shared an admiration for beautifully made clothes. Mrs. Beabots had eventually suggested Grace sketch the dresses she envisioned and send them to her. Grace did precisely that. Throughout high school and college, Grace had corresponded with Mrs. Beabots, sending drawings and photos of her designs. Grace had pleaded with her her aunt to enlist Mrs. Beabots’s help in making connections in Paris, and by that autumn after her college graduation, Grace was on a plane headed to Paris as an assistant to an assistant at Jean Paul Gaultier. Grace’s penchant for perfectionism had gotten her noticed within weeks and she had been challenging herself ever since. Now she was an independent designer with her own team, hoping they would be “brought on” to a top couture house. Under an iconic umbrella, they would have respect, clout and the freedom to create their own line of clothing and accessories, with Grace’s name and logo stamped on every ensemble. They would have security and respect. Fortunately, up to this point, her designs had sold enough to keep them all afloat. Barely.