They’d done this before. They’d been amazing in bed but out of the bedroom they’d been useless. Used to being on his own, he’d struggled with giving equal attention to his art and to her. Art, it had to be said, always won the battle. At that time, as always, he’d needed to sell as many of his pieces as he could. But, on a more fundamental level, he knew that he had to keep his emotional distance. Relationships, with Sage or anyone else, demanded more than he had to give. His lovers objected to his need to isolate himself, to spend hours and days in his studio only coming out for food, a shower and, yeah, sex. They wanted attention, affection and he, mostly, wanted to be left alone, content to communicate through his vivid, dark oil paintings and his steel-and-wood sculptures. He wasn’t good at personal connections. He’d expended all the emotional energy he’d been given caring for a depressed mother and raising his baby sister and he never again wanted to feel like he was standing on a rickety raft in a tempestuous sea. He’d held Sage at an emotional distance, unable to let her go but knowing that she needed and deserved more from him. Her adoptive father’s death had been their personal tipping point. Since he couldn’t see himself in a relationship, didn’t want to be tied down, he’d used Connor Ballantyne’s passing to put some space between them, and Sage, surprisingly, had let that happen by not trying to reconnect.